A Line Through October i. september gone in gray rain slash, gutters sift fallen color, but how to pronounce October when streets seethe sepia, echo summer ii. what binds the day to belief, what binds belief to perception, at the seam between seasons when words blur, phrases warp, the sentence surrounding us dissolves iii. slant October light supplants the itch to think anything beyond light and what light laves to name and measure iv. at the threshold of the present this shadow is the mind’s shadow shielding a noun in the mulch, half- buried, decayed beyond a name v. dawn signals the language a world wakes within— a capillary bloom of wet, red leaves imprinting haze too thin to be fog vi. the room sheds the room as dusk sweeps through, a leaf- spiked shadow stretched from floor to ceiling vii. candles voice evening, these shadows phrased across the wall, this exile, in the cell where I breathe myself blank viii. the synesthesia of the season, an off-kilter walk through the Shower of Stain, vision enveloped as sound a slow shattering inward ix. late bees needle late flowers hovering over a sidewalk cracked into hieroglyphs these ribboned bee shadows decipher as a kind of silence x. other echoes inhabit the alley, summer’s alley, enclosed now by October’s gloaming, the bled sky gaping above lopsided sheds sheathed in yellow hollowing orange
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Anyone who takes pause and looks around will experience what you so eloquently describe.
“a capillary bloom
of wet, red leaves
imprinting haze”
These lines are impressionistic in the best way. The haze “too thin to be fog” is like the scumbling behind the leaves’ edges. Because there is a haze to imprint at all, the edges sharpen.