Northern Tracks Ferns flash dark, chafe train windows relieved by graffiti: faded white runes scrawled on an underpass slant. Barbed-wire fence wrapped around cracked concrete, crabgrass, green plastic bags ballooning light. A sign reads SPECIAL METALS as we coast into a ghost town— half a ghost, at least, lingering. Every window in every building broken—one with a branch lanced into it. Tree and house fused, as if attached to the same decaying root system. A freight train passes in the opposite direction, loaded with fertilizer: green and white sacks stacked and blurred into blue that looks like memory, a memory barely there, washed out— still enough to sting. How sight stings when things scroll at this speed; particulars particlized. Yellow sweep of brown, of black, of summer that hasn't released into fall. First day of fall, today— muggy and bright. But the air’s hollow edge foreshadows October. Now the car’s flanked by factories in pieces weeds and abandoned mattresses cinch together. It's true: No- thing’s un- inhabited. No- thing goes un- reclaimed. Red leaves radiate in dense brush bordering woods. Red sticks to my peripheral vision, stains it, while highway streaks horizon: red striations thread the glare. Slow, close to a station. Algae skirts a brick wall's bent reflection where pond meets mud, knotted brush, roots buckled aboveground. The view opens— opening completely to the Connecticut River; the surface wrinkling what's left of the day.
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Thank you Megyn Kelly for introducing me to Joseph Massey. I feel like I’m once again drinking spiritual waters. It’s been a while.
beautiful unraveling